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Spraypaint on canvas
At the first view Kunstrasen is a classic stencil artist, at second glance you can see the recurring connections in the world of art history. In this art edition, you see references to the work of Roy Lichtenstein, which he translates into his medium the “stencil” in contemporary street art.

Coco Bergholm's work "Color Bomb" shows a group of police officers wearing protective clothes, covering themselves with defensive shields against flying objects and color bombs. The color spots on their shields create a contrast to the black police equipment, which has a de-individualizing effect: through the helmet, visor, joint protectors, safety shoes and bullet vest, every attribute of the individual personality is camouflaged. The protective gear functions as a closed, authority-giving shell; as a surface that denies any view to the inside. To what extent can such a minimal visual modification on that surface of an executive state organ already be considered an political or artistic intervention? And who is actually protecting whom from whom?