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Johannes Kersting
Poolside I
2800€

incl. VAT if liable / excl. shipping

Attention!

This work is part of the current show and can only be picked up or shipped after the end of the exhibition.

Size: 55 cm x 70 cm
Year: 2023
Info:

Oil and acrylic on wood
Type: Painting
Original
Technique: Acrylic
Oil
Style: Contemporary

item Tags

inShow, Painting, Original Acrylic, Oil Contemporary

Johannes Kersting - Artworks online

Show all artworks by Johannes Kersting
Johannes Kersting - Interior IV The outer world
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Size: 50x70 cm
Year: 2025
Johannes Kersting
Interior IV The outer world
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Johannes Kersting - Pavillon VIII Retreat
Technique: Acrylic
Size: 55x70 cm
Year: 2024
Johannes Kersting
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Johannes Kersting - Infinite Jungle IV
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Johannes Kersting - Solymar II
Technique: Acrylic, Oil
Size: 75x100 cm
Year: 2023
Johannes Kersting
Solymar II
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Johannes Kersting - I want to believe (Mulder’s Place)
Technique: Acrylic
Size: 84x97 cm
Year: 2026
Signed: Signed on the back
Framed: Yes
Johannes Kersting
I want to believe (Mulder’s Place)
3800 €
Johannes Kersting - Willingen Waiting
Technique: Acrylic
Size: 84x120 cm
Year: 2026
Signed: Signed on the back
Framed: Yes
Johannes Kersting
Willingen Waiting
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Johannes Kersting - Sturm und Drang IV
Technique: Acrylic
Size: 95x120 cm
Year: 2026
Signed: Signed on the back
Framed: Yes
Johannes Kersting
Sturm und Drang IV
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Johannes Kersting - Solymar V
Technique: Acrylic
Size: 105x140 cm
Year: 2026
Signed: Signed on the back
Framed: Yes
Johannes Kersting
Solymar V
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Shop Overview
Show all artworks by Johannes Kersting

Johannes Kersting

Johannes Kersting examines the socio-psychological and cultural conditions of the visual representation of spaces and landscapes. He focuses on the constant interplay between reality and staging. Kersting uses staging and construction schemes from painting, cinema and video games to trace the narrative and effect mechanisms of popular visual worlds. The landscape as a highly symbolic projection surface can be understood equally as a mere social fiction, a threatened environment, a threatening elemental force or as a utopian place of a harmonious coexistence of man and nature. Our attitude towards the world, our narrative of human existence, can always be sensed in the way they are depicted. To create these imaginary pictorial spaces, Kersting uses various media techniques, from classic photography and computer graphics to AI-supported image generation. This enables him to extract specific formulations from the omnipresent flood of images and to condense them in the medium of painting. The contrast between chance and construction characterizes both the painterly work process and the resulting aesthetics of representation. The experience of the spaces and places altered by human hands in the picture creates moments of pathos, beauty and sublimity, but also melancholy, the feeling of loss, loneliness and decay. For Kersting, these categories of human existence are welcome qualities of image-making in order to reveal the levels of meaning of the visibility of landscape and its modes of observation.
More about Johannes Kersting

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