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Johannes Kersting
Infinite Jungle IV
2900€

incl. VAT if liable / excl. shipping

Size: 80 cm x 60 cm
Year: 2024
Info:

Acrylic on canvas
Type: Painting
Original
Technique: Acrylic
Style: Contemporary

item Tags

aafhh25, Painting, Original Acrylic Contemporary

Johannes Kersting - Artworks online

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Johannes Kersting - Interior IV The outer world
Technique: Acrylic
Size: 50x70 cm
Year: 2025
Johannes Kersting
Interior IV The outer world
2500 €
Johannes Kersting - Pavillon VIII Retreat
Technique: Acrylic
Size: 55x70 cm
Year: 2024
Johannes Kersting
Pavillon VIII Retreat
2600 €
Johannes Kersting - Solymar II
Technique: Acrylic, Oil
Size: 75x100 cm
Year: 2023
Johannes Kersting
Solymar II
Sold
Johannes Kersting - Solymar V
Technique: Acrylic
Size: 90x109 cm
Year: 2025
Johannes Kersting
Solymar V
4100 €
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Show all artworks by Johannes Kersting

Johannes Kersting

Johannes Kersting examines the socio-psychological and cultural conditions of the visual representation of spaces and landscapes. He focuses on the constant interplay between reality and staging. Kersting uses staging and construction schemes from painting, cinema and video games to trace the narrative and effect mechanisms of popular visual worlds. The landscape as a highly symbolic projection surface can be understood equally as a mere social fiction, a threatened environment, a threatening elemental force or as a utopian place of a harmonious coexistence of man and nature. Our attitude towards the world, our narrative of human existence, can always be sensed in the way they are depicted. To create these imaginary pictorial spaces, Kersting uses various media techniques, from classic photography and computer graphics to AI-supported image generation. This enables him to extract specific formulations from the omnipresent flood of images and to condense them in the medium of painting. The contrast between chance and construction characterizes both the painterly work process and the resulting aesthetics of representation. The experience of the spaces and places altered by human hands in the picture creates moments of pathos, beauty and sublimity, but also melancholy, the feeling of loss, loneliness and decay. For Kersting, these categories of human existence are welcome qualities of image-making in order to reveal the levels of meaning of the visibility of landscape and its modes of observation.
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