1050€

incl. VAT if liable / excl. shipping

Attention!

This work is part of the current show and can only be picked up or shipped after the end of the exhibition.

Size:	40 cm x 30 cm x 4 cm
Year:	2026
Signed:	Signed on the back
Framed:	Yes
Info:	KNOTENPUNKT This is artwork is part of Knotenpunkt - The Urban Contemporary Art Groupshow. Click here to view all Knotenpunkt artworks.

Type:	Original
Technique:	Collage Acrylic Mixed Media
Style:	Urban Art Contemporary Figurativ

item Tags

inShow, KP26, Original Collage, Acrylic, Mixed Media Urban Art, Contemporary, Figurativ

Eric Lacan - Artworks online

Show all artworks by Eric Lacan

Technique:	Collage, Acrylic, Mixed Media
Size:	40x30x4 cm
Year:	2026
Signed:	Signed on the back
Framed:	Yes

Eric Lacan

Quel beau Jour

1050 €

Technique:	Collage, Acrylic, Mixed Media
Size:	50x40x4 cm
Year:	2026
Signed:	Signed on the back
Framed:	Yes

Eric Lacan

Everything is in Everyone, and Vice Versa

1450 €

Technique:	Collage, Acrylic, Mixed Media
Size:	50x40x4 cm
Year:	2026
Signed:	Signed on the back
Framed:	Yes

Eric Lacan

Wild, Fierce but not Ferocious

1450 €

Technique:	Collage, Acrylic, Mixed Media
Size:	50x50x4 cm
Year:	2026
Signed:	Signed on the back
Framed:	Yes

Eric Lacan

She Lost Control

1600 €

Shop Overview

Show all artworks by Eric Lacan

Eric Lacan

Eric Lacan started to draw attention to himself in the Parisian’s street at the end of the 2000’s with black and white wheatpastes and painting under the nickname “monsieur Qui”. Behind his sometimes elegant, sometimes scraggy mysterious female portraits hide a subtle satire of society’s diktat around women. Graphic details like hair entangled in bramble, flowers and words scratched on the canvas surface, cannot but bewitch passer-byes and imbue his work with a powerful, dark and melancholic romanticism. Eric Lacan’s work in the studio is in keeping with his street work. To a wide range of plastic practice, he adds an incredible technicality in the field of cut-out paper, drawing and painting. Through the minute cutting of tiny paper sheets, he creates true thickets of plants and roses like funeral wreath and gives life to deadly portraits that astonish by their sharpness. His fine play on black and white is a reference to the legacy of 19th century engravers as well as Gustave Doré. It inevitably swallows viewers in a world of obscure clarity bathed in a heavy atmosphere.

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